On 28 October the Church celebrates the joint liturgical memorial of Saint Simon the Zealot and Saint Jude Thaddeus. Here is why these two martyred apostles are remembered together

The calendar of Catholic Saints is rich in occasions to celebrate the life and sacrifice of exceptional individuals, who dedicated their existence to faith and the service of God. Among these saints, two figures stand out as examples of unconditional devotion and dedication to Christ: Saint Simon and Saint Jude Thaddeus. These two martyred apostlesare commemorated together, and their liturgical feast is an occasion to reflect on the strength of faith.

On 28 October, the Church honours and commemorates them both. This is because the two share many elements that make them similar and close to one another, despite their differences. For one thing, both were apostles, and as such friends of Jesus, perhaps even relatives, close to Him during the brief period of His life and in the final tragic events that accompanied His death. As apostles, they were direct witnesses to Jesus’ teachings and to His Resurrection, and were able to play a fundamental role in the spreading of the Gospel.

Together, Saint Simon the Apostle and Saint Jude the Apostle preached in Egypt and Mesopotamia, bringing the message of Christ among different and distant peoples.

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St Jude Thaddeus wooden statue painted

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In addition to their role as apostles and their evangelical mission, Saint Simon and Saint Jude also shared the same fate: martyrdom. The former was subjected to a particularly atrocious death: his body was torn apart with a saw. This cruel act of martyrdom has remained in the collective memory and is reflected in the iconography depicting him with this tool. For this reason Saint Simon became the patron saint of lumberjacks and woodcutters. As for Saint Jude, the pagan priests incited the people against him, and they slaughtered him with stones, clubs and blows from a spear.

Saint Simon and Saint Thaddeus teach us that no matter how difficult the challenges we face in spreading the Gospel may be, our faith in Christ can give us the strength to persevere. Moreover, their communion in the experience of martyrdom reminds us of the importance of unity within the Church, a unity based on a shared faith in Jesus.

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St Jude rosary 30 cm oval turquoise beads metal 10×7 mm

The rosary has a centerpiece medal of Saint Jude Thaddaeus and on the other side, a crucifix. The pendant measures 3 cm and the cross 3×2 cm.

Saint Simon the Cananaean

Saint Simon is also known as Simon the Cananaean (in the Gospels of Matthew and Mark) or Simon the Zealot (as Luke calls him). Both nicknames can be interpreted as zealous, but perhaps he was also a member of the Zealots, known for their religious fervour and as fierce opponents of the Roman occupation. Not much is known about his life, apart from the fact that he was an apostle. Over time, many nicknames have been attributed to him and his identity has been confused with that of other men. According to some traditions, he was even one of Jesus’ brothers. Other traditions regard him as the first bishop of Jerusalem.

His martyrdom is usually associated with that of Saint Jude Thaddeus and set in Persia, or in Samaria.

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This complexity and confusion surrounding the figure of Saint Simon the Zealot helps us understand how little personal history matters, especially in the environment of the early Christians, compared with the faith, commitment and testimony in Christ upheld by these men who laid the foundations of the Church.

Saint Jude Thaddeus the Apostle

Saint Jude Thaddeus, as he is referred to in the Gospels of Mark and Matthew, is also known as Jude Lebbaeus or Jude of James (as Luke calls him). He should not be confused with Judas Iscariot, the apostle who betrayed Jesus. Saint Jude Thaddeus was also one of the twelve apostles, often identified as the son of Joseph and Mary of Clopas, one of the three Marys, the three pious women who stood at the foot of the cross and witnessed Jesus’ agony, as well as a cousin of the Virgin Mary. Therefore, Saint Jude may have been Jesus’ cousin and the brother of James the Less. According to an ancient tradition, he had been the bridegroom at the wedding at Cana before meeting Jesus. In the New Testament there is an epistle attributed to him, consisting of 25 verses, the first of which reads: “Jude, servant of Jesus Christ, brother of James”.

His life is therefore also shrouded in mystery, but Christian tradition considers him above all an indefatigable preacher of the Gospel.

Saint Simon and Saint Jude Thaddeus also brought Christianity to Armenia, and the latter was the first Catholicos (patriarch) of the Armenian Church. In a mountainous area of Azerbaijan, at the place where Saint Jude Thaddeus is said to have died, stands the monastery of Saint Thaddeus, also called Kara Kilise or Qareh Kalisa, “the Black Church”, a pilgrimage site visited every year by thousands of devotees from all over the world.

Together with Saint Rita, Saint Philomena and Saint George the Wonderworker, Saint Jude Thaddeus is considered the patron saint of lost causes and protector of those without hope.

Simon and Jude: why are they celebrated together

The feast of Saint Simon and Saint Jude Thaddeus is celebrated on 28 October to commemorate their shared martyrdom. After joining together to bring the message of Christ to Persia, in their work of evangelisation Saint Thaddeus and Saint Simon had to face widespread hostility, and above all that of two local magicians, Zaroes and Arfaxat, angered by their successes. When they arrived in the city of Suanir, in Colchis, they were arrested at the suggestion of the two magicians by the priests, who ordered them to offer sacrifices to the gods in the Temple of the Sun.

The two Saints not only refused, but drove out the demons that dwelled in the temple, causing terrifying howls and blasphemies, and unleashing the fury of the priests, who incited the people against them. The two were attacked with stones, spears and blows from clubs, and in the end Saint Thaddeus was killed by a blow from an axe or club to the head, Simon with a saw.

The Mitre of San Gennaro is just one of the priceless treasures that make up the treasure of Naples’ patron saint, one of the richest in the world.

When speaking of the treasure of San Gennaro, the patron saint of Naples, we cannot fail to recall Dino Risi’s entertaining film starring Totò: Operation San Gennaro. A ragtag gang of thieves attempted to steal the Saint’s immense treasure, after San Gennaro himself had given them permission, or so they wanted to believe, but after a series of hair-raising adventures the crooks ended up being hailed by the whole of Naples as the very saviours of the treasure itself. Beyond the cinematic fiction and the irresistible Neapolitan flavour of Risi’s film, it remains true, today as it was then, that the treasure of San Gennaro is one of the richest and most precious in the world, and that countless stories and traditions have grown up around it over the centuries. In particular, the Mitre of San Gennaro is a unique and extraordinary object, a treasure within the treasure.

Certainly, the treasure of San Gennaro, preserved in the Museum of the Treasure, but also in the Treasury Chapel, where the precious ampoules containing the blood of San Gennaro are also kept, boasts a unique collection of more than 21,613 precious objects in gold, silver, bronze and precious stones, donated by kings, queens and emperors to the Saint and to the city. Experts have estimated that the treasure as a whole is worth considerably more than that of the Queen of England. In short, it is a treasure worthy of a king, yet it belongs to no Crown. It belongs to Naples, to its people, who have always been devoted to San Gennaro, who have always lived under his aegis and his benevolent protection.

The Museum of San Gennaro

The Museum of the Treasure of San Gennaro opened in 2003, and its entrance is located beside Naples Cathedral and the Treasury Chapel. It houses most of the pieces that make up the Saint’s treasure: jewels, statues, textiles and silverware, donated by distinguished men and women, many of them crafted by the city’s finest artisans. The museum was financed by private companies, European funds and local institutions, and is under the patronage of the Deputation of the Royal Treasury Chapel. The treasure of San Gennaro also represented a fundamental turning point in Neapolitan craftsmanship. In fact, it was after the arrival in Naples of the bust of the Saint, created by Provençal goldsmiths on the orders of Charles of Anjou and donated to the city in the 14th century, that local goldsmiths also gained much greater recognition and began organising themselves into a guild which is still active today in the Borgo Orefici district.

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The Treasury Chapel of San Gennaro

The Royal Treasury Chapel of San Gennaro was built within Naples Cathedral as an ex voto offered by the entire city of Naples, on the anniversary of the translation of the bones of San Gennaro from Montevergine to the city in 1601. The people of Naples implored their Saint to protect the city from famine, plague and war. It was on that occasion that the Elects of the city, the representatives of the administrative institutions of Naples from the 13th to the 19th century, established the Deputation of the Treasure of San Gennaro to safeguard the Treasury Chapel. The Elects met in the Church of San Lorenzo Maggiore, using special Sedili. The Deputation is composed of 12 members, in addition to the Mayor of the city. Ten members come from the ancient Sedili of the patrician families, while two come from the Sedili representing the people. For more than 500 years, the Deputation of San Gennaro has safeguarded the relics (the bust and the ampoules of the miraculous blood) and the treasure, while promoting devotion to the Saint.

The foundation stone of the Treasury Chapel was laid in 1608, and the works were completed in 1647. It is a splendid example of Neapolitan Baroque and one of the city’s greatest artistic achievements, to which outstanding artists contributed. The frescoes and painted decorations are the work of Domenichino and Lanfranco, the foremost exponents of Emilian Baroque painting in Naples.

By virtue of several papal bulls, the chapel does not belong to the Curia, but to the city of Naples, and is safeguarded on behalf of the Neapolitan people by the Deputation.

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Saint Januarius tapestry measuring 65x45cm

This tapestry is produced in Tuscany (Italy) with a modern Jacquard loom; the images are in high definition and use refined yarns such as lurex and are fully lined.

The Value of the Mitre of San Gennaro

To grasp the immense value of the treasure of San Gennaro, it is enough to consider that the Mitre alone has been valued at around €7 million. It is undoubtedly one of the highlights of the treasure: entirely covered with precious stones and weighing 18 kilograms, it is a symbol of San Gennaro and one of the finest examples of Neapolitan goldsmithing.

It is worth remembering that the mitre is a characteristic headdress of the Catholic clergy dating back to the 5th century. Initially worn by the Pope during solemn processions, it was later replaced by the tiara, the symbol of papal authority, and from the 10th century onwards bishops began wearing it as a symbol of the holiness they embodied.

The Mitre of San Gennaro was created in 1713. The Neapolitan goldsmith Matteo Treglia used 3,964 diamonds, rubies and emeralds. He spent a year, assisted by 50 collaborators, completing this masterpiece. The choice of the precious stones adorning it was not accidental. Each type of gemstone carries a specific symbolic meaning: emeralds represent knowledge, diamonds represent Faith, and naturally the rubies symbolise the blood of San Gennaro.

Alongside the mitre, among the most famous pieces of the treasure are the priceless emerald cross donated by Napoleon; the magnificent silver statue of Saint Michael the Archangel, created in 1691 by Giovan Domenico Vinaccia to a design by Lorenzo Vaccaro, depicting the Archangel defeating a dragon; the necklace by the goldsmith Michele Dato which adorns the bust of San Gennaro, made of 13 gold links decorated with diamonds, emeralds, rubies and other precious stones; the cross donated by Charles of Bourbon in 1734, decorated with 13 brilliant-cut diamonds and 13 rubies; the chalice donated by Ferdinand IV of Bourbon, adorned with 586 brilliant-cut diamonds; and a monstrance presented by Joachim Murat.

The most precious pieces of the treasure of San Gennaro can never be displayed together, but are exhibited to the public on a rotating basis. Indeed, it would not be possible to insure them all at the same time, given their inestimable value.

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Mitre machine-embroided in pure wool Gamma

Mitre made by an italian tailor’s shop, high quality item. The size refers to the circumference of the head.

Between fairy tale and legend, the little bell of Capri is a much-loved lucky charm on the splendid island, and beyond. Here is how Saint Michael made it a special gift for the first time

It often happens that forms of worship and devotional practices arise from stories and legends. Especially in a country like ours, rich in history, which over the centuries has experienced different civilisations and cultures that have alternated across its territory, leaving behind impressions and influences. There are also tales linked to the Virgin Mary, the Saints, and the angels that truly seem like wonderful fairy tales. This is the case with the story of the little bell of Capri, also known as Saint Michael’s bell. For centuries, this small trinket has been the island’s lucky charm par excellence, and it is said that if it is given as a gift to a special person, all their wishes and dreams will come true. This has made the lucky bell of Capri a highly appreciated gift item, both as a souvenir for those who visit the splendid island and want to let someone dear to them know that they thought of them, and as a gift for important occasions, such as a Baptism, First Communion, and so on. In fact, it is possible to find countless variations of the Capri bell, sold in the many shops on the island in the form of pendants, brooches, earrings, and ornaments. Our online shop also offers several particularly refined models, for an original and meaningful gift.

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Saint Michael Archangel carved wood statue

the name Michael means “who is like God” and he is famous for having…

Some curiosities about Saint Michael’s bell. During the Second World War, soldiers often wore it as a pendant around their necks, hidden in the folds of their uniforms, or even used it as a pull for their jacket zips. On the occasion of the Allied victory, the island of Capri gave American President Franklin Delano Roosevelt a bronze bell as a lucky charm and a sign of gratitude. The Capri bell was donated to President Roosevelt at Christmas 1944, accompanied by this message: “The people of Capri, proud to have been able to host the brave men of the American Air Force, offer the President of the United States the bell of Saint Michael, the supreme symbol of Fortune, Faith and Glory; may it ring on Victory Day for eternal peace and freedom throughout the world.” The Bell was rung on the occasion of V-E Day, the day of victory over Nazism and Fascism in Europe and the end of the Second World War (8 May 1945), and V-J Day, Victory over Japan Day (2 September 1945). It was displayed at the National Archives in Washington DC and later became part of the permanent exhibition at the Museum of the Franklin D. Roosevelt Library in New York, where it can still be admired today.

The story of the Little Bell of Capri

As we mentioned, the origin of the Capri bell is linked to a legend with the flavour of a fairy tale. It tells of a young shepherd boy who had lost his father and lived with his mother on the island a very long time ago. Since he was very poor, he owned only one little sheep, which was his only consolation and also his friend and playmate. One day, while he was lingering to pick flowers in a meadow, he did not notice that the little sheep had wandered away. When he finally realised, he began to cry and despair. Determined to find it, he started running across the uneven ground, heedless of the stones that hurt his feet and the brambles that scratched his legs. All he wanted was to find his sheep again. At a certain point, while the evening shadows were already gathering over the island, he seemed to hear a distant tinkling sound and thought it was the bell the sheep wore around its neck. Filled with renewed hope, he began to run in the direction from which the sound came, but he did not realise that his steps in the darkness were leading him to the edge of a ravine. Just before falling into the void, however, the child was dazzled by a brilliant light. Within that light appeared Saint Michael the Archangel, splendid in his silver armour, riding a white horse. The beautiful angel smiled at the child, removed the little bell he wore around his neck and offered it to him as a gift. “From this moment on, all your dreams will become reality and you will be protected from every danger,” the angel told him with a gentle voice. The little shepherd took Saint Michael’s bell and set off towards home, immediately finding his beloved sheep again. But it was only the first of his wishes to come true. Once he returned to the little cottage, he gave the bell to his mother and from that moment their life improved and they no longer had to worry about anything.

In the place where, according to legend, Saint Michael the Archangel appeared, a small votive chapel was built. In 1895, a Swedish doctor visiting Capri, Axel Munthe, fell in love with that picturesque place and decided to restore the chapel and have his house built beside it. He discovered that an ancient Roman villa had once stood there and, inspired by this discovery, he also incorporated the archaeological remains into the restoration work. The result is what is now known as Villa San Michele, owned by the Swedish government, today a much-visited museum that is part of the Great Italian Gardens. Axel Munthe also recounted the story of the restoration and the charm of that place in a book entitled *The Story of San Michele*, which was widely read and appreciated in the twentieth century.

The Capri bell in our store

If you wish to give a truly original and unique gift to someone special to you, Capri’s lucky bell can be a delightful choice.

In our shop you can find the bell in various versions, such as the beautiful pink 925 sterling silver necklace embellished with a bell-shaped pendant finished with black zirconia stones. With an adjustable length, the necklace is made by Amen, an Italian company specialising in the creation of high-quality religious jewellery.

Also produced by Amen is the 925 sterling silver necklace with a silver bell-shaped pendant featuring zircons forming a heart, or the pink silver version embellished with white zircons shaped like an angel.

If, on the other hand, you prefer to give something that can be hung in the home, the pink Angel Playing the Bell from the Fontanini collection is perfect for you. Made of porcelain and hand-painted, it is an entirely Made in Italy product.

Whether you choose to give it as a piece of jewellery or as an object to keep in sight every day, the Capri bell is a precious lucky charm for someone who is truly important to you.

The remains of Saint Philomena the virgin and martyr were discovered in the catacombs of Rome, but they are kept in the Shrine of Mugnano del Cardinale. Here is the story of this mysterious child saint

A great and fascinating mystery surrounds the figure of Saint Philomena, a very young Christian martyr who probably lived in the bosom of the early Church of Rome. Tradition holds that she was martyred under the Emperor Diocletian, whose love she is said to have rejected, but since the discovery of her tomb during excavations in the Catacomb of Priscilla on the Via Salaria in 1802, it has not been possible to discover anything certain about her. Even the name, Philomena, was deduced from the fragments of terracotta dating back to the 3rd-4th century AD that sealed her burial niche, and which formed the phrase: “LUMENA PAX TE CUM FI”. By rearranging them, the inscription obtained was: “PAX TE / CUM FI / LUMENA”, Peace be with you, Philomena.

History of Saint Philomena

According to tradition, Saint Philomena was a Greek princess, perhaps from the island of Corfu, who, at the age of 13, converted to Christianity. Having travelled to Rome with her family, she was noticed by the Emperor Diocletian who, captivated by her beauty, asked her to marry him. But the young girl had decided to consecrate her chastity to Jesus, and she rejected the illustrious suitor. Furious, Diocletian had her arrested and tortured, but the faith of the young princess remained unshakeable. Finally, she was beheaded.

It was Sister Maria Luisa of Jesus, a Franciscan tertiary from Naples, a devout nun who lived in the 1800s, who told the story of Philomena. According to Sister M. Luisa of Jesus, the story was revealed to her directly by the saint herself. In 1833, the Pious Revelation was published, in which the life of the young saint and her martyrdom were described.

Saint Philomena, despite the veneration she has received since the discovery of her remains and the fervour of her devotees, was never included in the Roman Martyrology, and in 1961 the Sacred Congregation of Rites decided to remove her name from the Roman Missal.

Despite these decisions, devotion towards the Saint is still alive and passionate. Sister Luisa’s writings contributed to its spread throughout Europe and America. In addition to the biography of Saint Philomena, the expansion of her cult was supported by testimonies of miracles attributed to her intercession, such as that of Pauline Jaricot, founder of the Society for the Propagation of the Faith and the Living Rosary, and that of the Holy Curé of Ars, who were fervent devotees of hers. Both recounted that they had been completely healed by Saint Philomena and promoted her devotion.

As we have mentioned, Philomena’s tomb was found in 1802 during excavations in the Catacomb of Priscilla on the Via Salaria. In addition to the inscriptions on the aforementioned terracotta fragments, it was the symbols of martyrdom engraved on them that made it possible to formulate hypotheses regarding the identity of the person buried in that tomb. Two anchors, three arrows, a palm and a flower suggested the tomb of a young martyr, although the inscription *martyr* did not appear anywhere. An ampulla was also found in the burial niche which, at first, was thought to contain the saint’s blood, but upon closer examination it was discovered to contain perfume, as often happened in burials of the time. Studies carried out over the years have led to the conclusion that there is no certainty about the true identity of the young girl buried in the tomb, but the cult and devotion to Saint Philomena have never diminished.

What does Saint Philomena protect?

Venerated by the Catholic Church and by the Eastern Orthodox Church, Saint Philomena is considered the patron saint of the Children of Mary and the protector of impossible causes, particularly of young married couples in difficulty, infertile mothers, the sick and prisoners. Those who turn to her seek comfort and protection from temptation, spiritual darkness and physical dangers. Furthermore, she is said to be a guide for those seeking spiritual relief and healing.

The Shrine of Saint Philomena

One of the most venerated places associated with Saint Philomena is the Shrine of Saint Philomena in Mugnano del Cardinale, a small town in the province of Avellino, where since 10 August 1805 the saint’s remains, transferred from the Catacombs of Priscilla, have been kept. It was Pope Pius VII who gave the remains of Saint Philomena to Don Francesco De Lucia, originally from Mugnano and the first Rector of the Shrine, which was originally dedicated to Our Lady of Grace, together with an ampulla presumably containing the saint’s blood. Even today, the relics are kept in the votive Chapel consecrated to Saint Philomena, and the shrine is a place of pilgrimage for faithful from all over the world, who travel to Mugnano to pray before the relics and seek the help of the young saint. The shrine is enriched with works of art and preserves testimonies of graces and miracles attributed to the intercession of Saint Philomena.

The Shrine of Saint Philomena is part of the Diocese of Nola, famous for the Feast of the Lilies dedicated to Saint Paulinus. On 13 August the Church commemorates Saint Philomena and Mugnano del Cardinale celebrates its child saint with great affection and devotion.

On 7 August, Naples celebrates Saint Cajetan of Thiene, the city’s co-patron saint and the creator of the Neapolitan Nativity scene.

Saint Cajetan of Thiene is venerated in Naples as the Saint of Divine Providence, the protector of workers and the unemployed. Despite his origins in Vicenza, he became one of the most loved and venerated saints in Naples, to the extent that he is included among the co-patron saints of the city. This love and devotion stem from the fact that Saint Cajetan devoted his entire life to God and to the service of others, becoming a living example of poverty, prayer and care for those in need. Born into a noble family, after a distinguished career as secretary to Pope Julius II, in 1523 he founded, together with Bonifacio Colli, Paolo Consiglieri and Gian Pietro Carafa, the Congregation of Clerics Regular, commonly known as the Theatines. The Theatines were distinguished by their communal way of life based on poverty, prayer and dedication to others, as well as by their decision to own nothing, relying solely on Divine Providence. Their unconditional faith was reflected in the way Saint Cajetan faced life’s challenges and hardships, always certain that Divine Providence would provide for his needs.

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Statue of St. Gaetano 25 cm

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Saint Cajetan demonstrated his commitment to serving others through countless works of charity and assistance, founding hospitals, orphanages and homes for those most in need. He also devoted much of his time to the education of the faithful and to evangelisation.

The life of Saint Cajetan is an example of faith, humility and love for God and for one’s neighbour. His dedication to Divine Providence and to caring for those in need has made him a point of reference for those seeking strength and hope in life’s difficulties. His legacy continues to live on in the hearts of those who turn to him for comfort and consolation.

The Theatines of Saint Cajetan

Saint Cajetan felt a profound desire to train and dedicate to the Church priests who would embrace poverty and entrust themselves completely to Divine Providence. These priests owned nothing and were not permitted to beg for alms, but were content with what the faithful freely offered them and with what Providence provided, following the original apostolic rule. Saint Cajetan’s desire was rooted in his deep faith in Divine Providence. He firmly believed that God would provide for all the needs of His children and that true wealth lay in trusting God and loving one’s neighbour. For this reason, he wished the Theatines to embrace this life of poverty and trust in Providence.

The Theatines followed the example of the Apostles, who relied on the generosity of the faithful and on God’s Providence for their material needs. Saint Cajetan wanted his priests to imitate this simplicity and absolute trust in God, freeing themselves from material concerns so that they could devote themselves entirely to the service of God and others. This way of life required great faith and humility.

Saint Cajetan’s teaching continues to inspire those who seek to follow his path of poverty and trust in Providence, of simplicity and humility, in the certainty that God will provide for every need.

Saint Cajetan and the Tradition of the Neapolitan Nativity Scene

Saint Cajetan of Thiene has an important connection with the tradition of the Nativity scene, which still holds fundamental importance in Naples today. Although the origin of the Nativity scene is attributed to Saint Francis of Assisi, who created the first Nativity scene at Greccio in 1223, Saint Cajetan is regarded as the one who introduced the practice of setting up Nativity scenes in churches and private homes during the Christmas season.

According to tradition, on Christmas night Saint Cajetan was praying before the manger of Bethlehem, kept in the Basilica of Saint Mary Major. While absorbed in prayer, he experienced a vision in which the Virgin Mary handed him the Infant Jesus, inviting him to hold the Child in his arms. This episode, depicted in numerous works of figurative art, such as the painting by Agostino Beltrano in the Church of the Holy Apostles, is said to have inspired the Saint to create a Nativity scene that everyone could see, from which they could draw inspiration to uplift their spirits and rejoice in the memory of the Saviour’s birth. It is no coincidence that the statue of Saint Cajetan, situated between the Basilica of San Paolo Maggiore and the Church of San Lorenzo Maggiore, faces Via San Gregorio Armeno, which still today is home to the workshops of the master craftsmen who create Neapolitan Nativity scenes.

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Baby Jesus statues

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The Co-Patron Saint of Naples

Saint Cajetan of Thiene died in Naples in 1547 and, until the very end, devoted himself wholeheartedly to helping the people of Naples through evangelisation and social assistance. He expanded and improved the services of the Hospital of the Incurables and supported the establishment of the Monte di Pietà, which would later become the Banco di Napoli, the largest banking institution in Southern Italy.

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Saint Cajetan canvas print 40×30 cm

This traditional image from Fratelli Bonella’s archives is given a sense of spirituality by the artistic effect of canvas.

He also stood alongside the Neapolitan people during their most difficult times, working to defend the principles of freedom and protect people’s rights during periods of famine, unrest and violent repression.

Even when the Tribunal of the Inquisition was established in Naples, Saint Cajetan intervened to protect the people, who had risen up, going so far as to offer his own life to God in exchange for peace. He died worn out by hardship, deprivation and anxiety, but the people of Naples have never forgotten him.

Today, Piazza San Gaetano in Naples, located in the heart of the historic centre, is a symbolic place of devotion to Saint Cajetan. The square is home to the Church of San Paolo Maggiore, a place of worship founded by the Theatines and dedicated to the Apostle Paul. Here, the faithful can still pray before the Saint’s remains, laid to rest in the crypt, and ask for his intercession.

Saint Cajetan is regarded as one of the co-patron saints of Naples, together with Saint Januarius. Every year, on 7 August, Naples celebrates the feast of Saint Cajetan with processions, solemn Masses and expressions of popular devotion. He is also considered the protector of workers and the unemployed.

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St. Januarius bust resin golden details 14 cm

The statue is made of resin, a material that is better than PVC in terms of definition of lines and details, although it requires more care in being handled.

Let us discover the Way of Saint Benedict, a journey steeped in history and spirituality through the places touched by the founding Saint of the Benedictine Order. Through Norcia, Subiaco, and Montecassino, amidst ancient monasteries, evocative valleys, and sacred sites that shaped the life and thought of the Patron Saint of Europe.

In the green heart of Italy, amidst lush valleys and enchanting landscapes, winds a path steeped in millennia of history and profound spirituality: the Way of Saint Benedict. This itinerary, which follows in the footsteps of the founding Saint of the Benedictine Order and Patron Saint of Europe, offers pilgrims a unique experience—a journey through places charged with religious significance and historical and cultural traditions.

The Way of Saint Benedict extends for approximately 300 kilometres through the splendid lands of Umbria and Lazio, from Norcia to Montecassino. Along the route, pilgrims can visit numerous significant sites linked to the life of Saint Benedict and the Benedictine Order. It is a spiritual experience, but also an immersion into the rich culture and history of Central Italy; along the way, pilgrims can savour delicious Umbrian and Latian cuisine, discover ancient medieval villages, and admire breathtaking landscapes.

As with all pilgrimages, it is possible to request the Pilgrim’s Credential for the Way of Saint Benedict. The Way of Saint Benedict Credential is an essential document for pilgrims undertaking this journey. It is made available to pilgrims for a small contribution at the traveller’s discretion to cover printing and shipping costs. This choice allows the service to remain autonomous and accessible to everyone. The Credential is not merely a practical document, but also a symbol of belonging and commitment to the path. It certifies the pilgrim’s status and is stamped at various facilities along the route, such as religious lodgings or other donation-based structures. Besides being a distinctive mark, it represents a tangible testimony of the journey completed and a precious keepsake to cherish. The donations received for the Credential are allocated to the non-profit association Amici del Cammino di San Benedetto (Friends of the Way of Saint Benedict).

The Stages of the Way of Saint Benedict

The Way of Saint Benedict should not be interpreted as a historical path, as it does not chronologically follow the movements of Saint Benedict from Norcia, but rather as a spiritual itinerary. It unites the three most significant places linked to the life of Saint Benedict: Norcia, Subiaco, and Montecassino.

Norcia, in Umbria, is the place where Benedict was born at the end of the 5th century AD, along with his twin sister, the future Saint Scholastica. Of noble origins, the two were the children of Eutropius, a Roman Consul and Captain General, and a local noblewoman. After a childhood spent amidst the splendour and excesses of Rome, both young people chose to abandon the world and renounce their paternal wealth to retreat with their nurse Cyrilla to the valley of the River Aniene.

From the Aniene valley, Benedict then moved to the Subiaco valley, living as a hermit among the ruins of a Neronian villa, and later in an inaccessible cave on Mount Taleo. Subsequently, he moved to the cenobitic monastery of Vicovaro, where he became a spiritual guide for several monks, before moving again and creating, over time, a vast community of monasteries managed by abbots delegated by him.

Finally, he arrived at Montecassino, where he remained for thirty years and where he founded his most famous and well-known monastery. Here, he also wrote his Rule.

Here are the sixteen stages of the Way of Benedict, from Norcia to Montecassino, for a total of about 300 km, with an elevation gain between 400 and 1000 metres.

Stage 1 – from Norcia to Cascia

The journey begins in Norcia, an authentic jewel hidden between the Valnerina and the slopes of the Sibillini Mountains in the heart of Umbria, amidst breathtaking landscapes and enchanted atmospheres. This picturesque town, with its ancient paved streets and stone-fronted houses, enchants visitors with its timeless charm and rich history. Norcia is surrounded by untouched nature and offers countless insights into its history. Founded by the ancient Umbri and later conquered by the Romans, the city boasts an extraordinary historical and cultural heritage. Its medieval walls, towers, churches, and historic palaces tell of centuries of events and occurrences that shaped its unique character.

The journey continues to Cascia, the birthplace of Saint Rita, and Monteleone di Spoleto, two medieval villages rich in charm and authenticity, which safeguard historical, cultural, and spiritual treasures.

Cascia is a place of pilgrimage and devotion for thousands of faithful every year. The Basilica of Saint Rita, built on the site where the Saint lived much of her life, welcomes visitors with its imposing façade and evocative works of art.

Stage 2 – from Cascia to Monteleone di Spoleto

Monteleone di Spoleto, located a few kilometres from Cascia, is another jewel to discover. Framed by the peaks of the Sibillini Mountains, this medieval village offers enchanting views and an atmospheric setting. Its narrow, winding streets, stone houses, and historic churches tell centuries of history and tradition, while its strategic position makes it an ideal starting point for exploring the natural beauty of the surroundings.

Stage 3 – Monteleone di Spoleto to Leonessa

From Umbria, the path crosses into Lazio, with stages passing through Leonessa, Poggio Bustone, Rieti, Rocca Sinibalda, Castel di Tora, Orvinio, and Mandela, amidst evocative villages and glimpses of timeless beauty and charm.

Leonessa, a medieval gem situated among the peaks of the Laga Mountains, with its narrow paved streets and stone houses, transports visitors into a fairy-tale atmosphere where time seems to have stood still.

Stage 4 – from Leonessa to Poggio Bustone

Continuing on, one reaches Poggio Bustone, a small village nestled among the hills of the Holy Valley (Valle Santa), an ideal place to relax and immerse oneself in the beauty of the surrounding nature.

Stage 5 – from Poggio Bustone to Rieti

Rieti, in the heart of the Holy Valley, is famous for its medieval monuments, its Romanesque churches, and its charming squares. Here, it is possible to discover the city’s millenary history and savour the local cuisine.

Stage 6 – from Rieti to Rocca Sinibalda

Rocca Sinibalda offers spectacular panoramas and an enchanted atmosphere. With its imposing medieval castle and narrow cobbled streets, it transports visitors to a distant era.

Stage 7 – from Rocca Sinibalda to Castel di Tora

Castel di Tora, situated on the shores of Lake Turano, is another village not to be missed along the journey. With its colourful houses overlooking the lake and its picturesque alleys, it is the ideal place for a pleasant walk and to enjoy the tranquillity of the surrounding nature.

Stage 8 – from Castel di Tora to Orvinio

In Orvinio, nestled among the green hills of the Lucretili Mountains, it is possible to stroll through the ancient streets and discover hidden treasures.

Stage 9 – from Orvinio to Mandela

Finally, Mandela, an enchanting village perched on the slopes of Mount Cosce, possesses a rustic charm and wild beauty.

Stage 10 – from Mandela to Subiaco

The route continues into the Monti Lucretili Regional Park, an oasis of untouched nature, peace, and tranquillity. Walking through ancient woods and rolling hills, one reaches Subiaco, a sacred site for devotees of Saint Benedict. Here, an imposing monastery encloses the Sacro Speco (Holy Cave), the grotto where the Saint lived in solitude and meditation; it represents a focal point for pilgrims in search of spirituality and contemplation.

Stage 11 – from Subiaco to Trevi nel Lazio

Descending into the picturesque Ciociaria region, one encounters enchanting villages such as Trevi nel Lazio, with its medieval streets and evocative panoramic views. Here, it is possible to stroll among ancient churches and historic palaces, immersing oneself in local history and culture.

Stage 12 – from Trevi nel Lazio to Collepardo

Collepardo and Casamari are two other hidden gems of Ciociaria, rich in charm and authenticity—Collepardo with its stone houses and picturesque alleys, and Casamari, famous for its Cistercian Abbey.

Stage 13 – from Collepardo to Casamari

Stage 14 – from Casamari to Arpinio

Arpino, the birthplace of Cicero, is another unmissable stop along the journey. With its historical monuments and evocative panoramic views, Arpino is a place that enchants visitors with its beauty and millenary history.

Stage 15 – from Arpinio to Roccasecca

The journey proceeds past the Hermitage of the Holy Spirit (Eremo dello Spirito Santo), located at the entrance of the Melfa Gorges guarding the Liri Valley—an emblematic example of a hermitage carved into a natural cave and subsequently modified over the centuries. Hidden among the rock walls of the Melfa Gorges, this hermitage evokes a sense of mystery and spirituality, enveloping the visitor in its suggestive atmosphere. The ancient cave, inhabited by hermits since medieval times, has undergone several modifications over time, with interventions that transformed its original appearance without compromising its authenticity.

Stage 16 – from Roccasecca to Montecassino

Finally, one reaches the Abbey of Montecassino, a symbol of faith and spirituality that dominates the valley below.

When to Walk the Way of Saint Benedict

The Way of Saint Benedict welcomes pilgrims all year round. However, during the winter months, it is important to keep in mind that some stages at higher altitudes may be affected by the presence of snow.

Despite the challenges the winter climate can bring, many pilgrims choose to face the Way even in this season, attracted by the beauty of the snow-covered landscapes and the quiet that envelops the sacred places along the route.

It is therefore advisable to be properly prepared with clothing and equipment suitable for the weather conditions and to monitor weather forecasts before undertaking the journey. Furthermore, it is advisable to check for any restrictions or trail closures due to climatic conditions.

How Many Days for the Way of Saint Benedict

The Way of Saint Benedict offers different route options to adapt to the needs and preferences of pilgrims. On foot, the route is divided into 16 stages over as many walking days, ideal for a more detailed and contemplative experience. On the other hand, for those who wish to tackle the route by bicycle, it can be completed in 7 days.

This flexibility allows pilgrims to customise their journey based on the time available and their physical fitness. Furthermore, it is completely natural and acceptable to walk only a part of the path, perhaps focusing on specific stages that arouse greater interest or personal significance.

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